The classic Latin chant about Christmas, O Magnum Mysterium, has been set to music by many distinguished composers over the centuries, ranging from Palestrina to John Harbison. Morten Lauridsen’s 1994 version has since gone on to be a modern-day classic and the best selling chorale octavo ever sold by the Theodore Presser Company.
As absolutely amazing as the Lauridsen motet is — especially as sung by the Los Angeles Master Chorale, who also happened to sing the world premiere of the work — my favorite continues to be the one by Tomás Luis de Victoria composed about 400 years earlier. Enjoy this performance by The Cambridge Singers, and have a very Merry Christmas!
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Latin text
O magnum mysterium, et admirabile sacramentum,ut animalia viderent Dominum natum, jacentem in praesepio!Beata Virgo, cujus viscera meruerunt portare Dominum Christum.Alleluia.English translation
O great mystery, and wonderful sacrament,that animals should see the new-born Lord, lying in a manger!Blessed is the Virgin whose womb was worthy to bear Christ the Lord.Alleluia!Lyrics and TranslationO Magnum Mysterium
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Last update on: August 10, 2022
Original Lyrics
Translation in English
Et admirabile sacramentum
Should see the newborn Lord
“Et admirabile sacramentum— Morten Lauridsen feat. Voces8
To bear the Lord, Jesus Christ
Alleluia! Alleluia! (O magnum mysterium)
Alleluia! Alleluia! (O great mystery)
Alleluia! Alleluia! (O magnum mysterium)
Alleluia! Alleluia! (O great mystery)
Et admirabile sacramentum
Should see the newborn Lord
Writer(s): Morten Lauridsen
2 Translations available
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August 10, 2022
More lyrics from the album
Composers as varied as Palestrina, Poulenc and Maxwell Davies have set it to music, but perhaps the best known is the haunting setting for unaccompanied choir by Morten Lauridsen, the American composer of Danish ancestry. O Magnum Mysterium is a text from the Holy Matins of Christmas describing the wonderment of the animals as they gaze on Christ: “O great mystery and wonderful sacrament, that animals should see the newborn Lord, lying in a manger!” The story begins in 1994 when top Californian lawyer Marshall Rutter commissioned a piece in honour of his wife, Terry Knowles; she in turn was the executive director of the Los Angeles Master Chorale. The choir had signed Morten Lauridsen as its composer-in-residence – this was his first commission. Seeking inspiration, Lauridsen had taken to visiting local art galleries and, at the Norton Simon Museum in Pasadena, he came across a painting that stunned him with what he described as
its “unadorned, understated beauty” and “quiet radiance”. It was called Still Life With Lemons, Oranges And A Rose and was painted in 1633 by Spanish Baroque artist Francisco de Zurbarán. In its serene tranquility, Lauridsen found exactly what he was striving to translate into music. Back in 1975, the then 32-year-old Lauridsen had bought an abandoned shop on the waterfront of a remote island off Washington State where he spent his summers contemplating and composing. “Many people
have said that the serenity there, the closeness with nature and the abiding calmness have affected my music, and I think that’s true,” he says. It was here and, in his words, “on a 50-dollar piano” that he wrote O Magnum Mysterium, a work he describes as “a quiet song of profound inner joy”. There were, however, many distractions. “While I was working on the piece, many visitors came by my cabin,” said Lauridsen. “I literally had to put a sign on the gate saying: ‘Composing –
come back at 4.30’. I’d look out the window and see a little crowd of people looking at their watch, and then at 4.30: bang, bang, bang on the door and in they would come!” O Magnum Mysterium was first performed on December 18, 1994 and was an instant success – its luminous, gently shifting harmonies perfectly expressing a timeless sense of serenity and wonder. Since then it has been recorded scores of times and performed thousands more, making it one of the most beloved pieces of
Christmas music ever written Did you know? In his youth, Lauridsen’s twin passions were music and poetry; however, he decided to become a composer after spending 10 solitary weeks as a forest-service firefighter and look-out near Mount St Helens. “It changed my life,” he said. “I decided to go into music while I was on the look-out and came down to LA to continue my studies following that decision.” Hear it on… Lauridsen Lux
aeterna, et al.
Polyphony, Britten Sinfonia/ Stephen Layton
Haunting performances of a selection of Lauridsen’s best-known works.
Hyperion CDA67449